World-building: Common Mistakes in Speculative Fiction – Guest Post by, Diana Peach…

Posted on by Chris The Story Reading Ape

World-building is a balancing act between alien complexity and Earth’s familiarity. If authors make characters and settings too alien, they risk confusing readers and interrupting the reading experience. But the other side of the coin – applying Earth qualities, standards, and cultural norms to non-Earth planets and societies – isn’t any better.

We’re so used to Earth and the way we live and behave, our customs, values, and social rules that they become invisible to us. They become the “givens” of human life, and often, we attribute them to other non-Earth worlds and cultures. Our ways of life are rooted in thousands of years of history. Other planets have different historical trajectories that produce alternate ways of life that feel normal to the characters.

Here are seven things to look out for when world-building:

Your society doesn’t “function”

Did you ever read a book where none of the characters work, and yet they always have plenty of cash? Most societies have social structures and economies that keep the place running, that differentiate roles and assign values, establish levels of power and induce friction. If your story takes place on a spaceship, you should have worked out who makes and enforces the rules? What are the checks and balances to those in power? Who may not be happy with their lots in life, and what are the penalties for destabilizing the status quo? You might ask yourself where the crew gets its food and how they manage population growth. These details may not end up in the book but should be part of your world-building.

Missing the inciting event

A story takes place at a point in time, usually a time when the crap is hitting the fan and getting splattered all over the pages. The big question is “Why now?” Why not last year or next year?
The answer is pretty obvious if the inciting event is an alien invasion, but some conflicts build over generations. What happened to cause the action to explode now?

Creating one-dimensional ethnic/racial/alien/social/political/religious groups

Diversity exists in all life forms, especially in sentient ones. In any well-rounded character profile, there will be a diversity of skills, quirks, strengths, flaws, and world views. When designing groups that inhabit the world, unless they’re zombies, avoid making them all act, think, and believe exactly the same way. Create different factions, power structures, opinions, temperaments, skill sets, and interests within each group. This adds underlying tension to your story.

Characters don’t fit the world

Characters who are outcasts and misfits are fine, but characters are also reflections of the worlds they inhabit. To a degree, the way they think, act, and perceive their choices will be colored by the world they grew up in. For example, a character from a pacifistic society would likely feel uncomfortable with violence and wouldn’t be an instant pro with a weapon. A character who can talk to animals would probably not eat meat. A truly egalitarian world wouldn’t be run by men.

Earth-origin cultures haven’t evolved

This applies specifically to futuristic stories with Earthlings. Not only does technology evolve, but attitudes, values, and traditions evolve. Just look at all the changes over the past 300 years and how quickly change is occurring now. What will holidays and celebrations look like in the future? Will some have faded away while new ones are established? Will we still use money? How will gender roles, parenting styles, and family structure have changed? Look at trends, create a few new ones, and most of all, try not to recreate 2017 in 2317.

High tech and magic fail to cross systems

Unless technology or magical power is limited to a band of secretive recluses on top of a mountain, it’s going to have a pervasive effect on the world’s systems. It would ripple through the social structure, education, arts, power hierarchies and values, economies and politics. For example, consider the vast changes that teleporting would have on commerce, tourism, terrorism, security, food, love… You could live in China, work in Brazil, and dine out in Egypt.

A history of high tech or magic hasn’t impacted the present

If trees had the ability to talk, the world would look quite different. We probably wouldn’t use wood products, and we’d have tree friends. Cutting down a tree might be considered murder. Except for well-kept secrets, everything that exists in your imaginary world today has a history that shaped it. What if, in your world, technology had cured death a thousand years ago? Massive changes would have occurred across all the world’s systems. So, what would a normal day look like today?

These seven mistakes are easy to avoid with a little contemplation, and you needn’t include all the backstory and details in your book. Just by going through the exercise you will add to the complexity and, thereby, increase the reality of your world.

Happy World-building!

Diana

Diana Wallace Peach

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86 thoughts on “World-building: Common Mistakes in Speculative Fiction – Guest Post by, Diana Peach…”

    • Oh good, Teri. I tweak my world-building all along the way as the story develops and during subsequent drafts. Certain things bubble to the top and need more definition, and all those spots for inserting some cool details show up. There are so many opportunities to be creative. Have fun and Happy Writing!

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  4. Sorry so late to the party. These are great points to keep in mind when creating a new world, whether fantasy, alternate/future earth, or sci-fi. I kept thinking of the Bone Wall as I read through these, and how you created such a rich post-apocalyptic world. Well done!

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    • No problem, Julie. You’ve written speculative fiction, so you know what I’m talking about here. I hope your NaNo project is going well and your enthusiasm persists! I can’t wait to hear about it. And thanks for the lovely comment about The Bone Wall. It’s a dark one compared to most of my writing. I hope you’re enjoying it. 🙂 Now, get writing!

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  5. I was nodding my head as I read your advice here, Diana. YES, I’ve read books (and not just speculative ones) where the characters drive racy cars and wear enticing fashion, yet never seem to work. Really? Perhaps they DO live in a different world. Haha. World building for a writer is necessary no mater what kind of genre she/he is writing about. Thanks for the great points.

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    • Great point, Pam, and I agree. Writers need to give their characters complete worlds and complete lives no matter the genre, or have an explanation for reality gaps (the trust fund). 😀 Television breaks the credibility rules constantly, but books need to be more careful, I think. The journey through a book is a deeper investment into a world. Thanks for stopping by, my friend. Happy Writing!

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  6. Very insightful. I had been working on a futuristic, poetic story of Velomeph which is quite a challenge (and therefore haven’t worked on it in awhile). I am short and sweet with poetry but stories are a different animal. This post really made me think about gender roles if I introduce Velomeph’s wife. But the story is really so different in terms of style that I’m stuck on it because I’m trying to fuse poetry and a futuristic story line with music LOL. Note to self- next time make it simpler Tam. 😛 Anyhow, I wanted to drop by and let you know this is really helpful to me when I take my story to task again.

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    • Thanks for the comment, Tam, and I’m glad it got you thinking. I know exactly what you’re talking about! In my current WIP, one of my societies is more egalitarian, even tending toward matriarchal. I really struggled in the beginning with all my invisible biases around the power structures and gender roles, particularly around violence. It was challenging to pick apart and restructure. But, it does get easier once you start, so keep going. Melding poetry, prose, and music? That sounds like a big project, but worth the effort. And perhaps you’re a trendsetter. Maybe, in a futuristic society, the arts won’t be quite as delineated as they are today. Happy Writing!

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      • ‘I really struggled in the beginning with all my invisible biases around the power structures and gender roles, particularly around violence.’

        I get that and it’s wonderful. I was challenged last year about writing horror and that struck me odd with regards to the limits we may subconsciously place on ourselves in writing when it’s an invitation to discovery, free travel, and braving a lawless realm.

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    • Thanks for the sweet comment, Molly. It’s like a big old jigsaw puzzle, which is one of the reasons I like it. And it’s not as hard as it seems, I think; it just takes time for pondering and working out the kinks. All those “what if” questions have to be answered even if they don’t particularly apply to the plot. Hope you have a wonderful week and Happy Writing!

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