Whether you’re a plotter or a pantser (101:21), I’m almost 100% certain that at some point, you’ll have to keep track of your characters’ details. The plotter/pantser post also covered some practical ways that some authors make sure these details are fresh in their minds—or, at least, quickly available.
However, before you can list these precious tidbits of information, you have to either discover them (if your story leads you) or decide on them (if you lead your story). The obvious information is focused on physical appearance: eye color, hair color, stature, body shape, etc. But sometimes authors neglect to round out their profiles with other information that can play a critical part in your story. I’m talking about family history, background, social status, and psychological quirks. I touched on this briefly in the previous post, “Showing Character Emotion” (101:58). To quote:
“…Where did the character grow up? How well (or poorly) did they do in school? How did they treat their friends, if they had friends, or how were they treated by others? What have been their experiences in sexuality? Background information such as this—the little, hidden nooks and crannies in their lives—can be invaluable in deciding how an individual character will respond to a given situation.”
Imagine a character—a regular Joe, so to speak—waiting in line at the bank. Robbers suddenly burst in, shouting at everyone and waving guns. They push and shove the customers to the floor and demand their valuables.
Now, think about these possibilities:
How would a middle child, who had many friends, react to this situation versus a first child, who was friend-less?
What would a Harvard law-school dropout’s priorities be as opposed to an illiterate farmer?
How brave would a bullied, hen-pecked husband be versus an assertive, single businessman?
If there were two men of the exact same age, size, social standing, and intelligence—one a high-paid gigolo and the other a married father—how would they react differently?
One way to uncover this valuable information is to conduct interviews with your character. You might take the time to role-play with them—you’re a reporter interviewing them for a biography. How old were they when they learned to read? What kind of schools did they attend? What was their first job?
Another idea is to take your characters and put them in extreme, or funny, situations. If your macho ex-Vietnam veteran—used to wielding guns and jumping out of helicopters—had to take his five-year-old daughter to an amusement park, what kinds of things would he find frustrating, difficult, or exasperating? Or if your analytical white-coated scientist—more at home in a laboratory filled with antibacterial lotion than a dog park—was required to walk six dogs at once, what would she find frustrating, difficult, or exasperating? How would each solve their problems? (No, the stereotypical veteran cannot blow up the amusement park to get out of it, and no, the stereotypical scientist cannot inject the dogs with strong sedatives.)
I hope this gives you some ideas on sketching out characters who are strong, flexible, and unique!
Next week we’ll discuss ‘Deleted Material’
This series is not meant to be (nor will it be) simple static information.
I’ll be here for each post to answer questions, offer suggestions as necessary, and interact with you.
If there’s something you specifically want (or need!) to see addressed in terms of self-editing, please let me know in the comments under this, or any of the articles of the series.