Why Can’t a Novelist Write Like a Screenwriter? – by Anne R. Allen…

Recently, a blog reader asked me why readers dislike it when the POV character dies at the end of chapter one, when most TV cop shows start with the victim being murdered — and nobody complains.

As I said in my blogpost on 8 Ways Not to Start a Novel: “This classic opener for TV cop shows doesn’t work to start a novel, because readers identify with the first character they meet in a book, and if you kill off that character immediately, readers feel betrayed.”

But, as our blog reader asked, why is that? Why do they identify with a character in a novel more than one in a TV show or movie?

I had to cogitate on that for a while. I’ve been mulling over that question myself. Recently, I read a mystery where the protagonist-sleuth turned out to be the murderer. I felt I’d been tricked. When the novelist has lied, leading us to believe the POV character is the novel’s main protagonist, like in the TV cop show opener, or the POV character is pretending (to the reader) to try to solve a murder they actually committed, we feel cheated. The author is lying by omission.

But would we feel the same way if the story had been a movie?

Probably not. Look at the popularity of films like The Usual Suspects, when you find out one of the “good guys” is really the bad guy everybody’s looking for. People ate it up.

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