As I mentioned in my previous post, depth is a vast word, a sea of information created of layers. It is complex, intense, and profound. We use the arc of the opening scene to lure the reader, to hint at what lies hidden below. The scene opens, the first character(s) step onto the stage, the action rises and ebbs, and the reader wants to know more.
Some scenes have no dialogue, are comprised of the actions that propel the plot forward. But often, conversations are the core of the passage, propelling the story onward to the launching point for the next act.
Dialogue is an opportunity to reveal who your characters are and hint at what lies beneath the surface they present to the world. Conversations must have a purpose and follow an arc: they open, disseminate information, and move toward a conclusion of some sort.
Dialogue that doesn’t…
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Thank you for the reblog, Chris ❤ 😀
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I can have a say, too. Conversations really reveal the character of the other person. But sometimes you don’t even want to know. 😉 Michael xx
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So true!
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:-))
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