Scenes that involve violence are difficult to write as they require serious choreography. However, no matter how well we write them, they won’t accomplish their task if we don’t allow time for introspection. Action without a frame of reference is confusing. Also, if we don’t allow our characters a chance to consider what just happened and how they want to proceed, we can end up with undeveloped, two-dimensional characters.
How does the action affect our protagonist? Action, aftermath, action, aftermath—a rhythm that is often compared to the way a skater crosses the ice: push, glide, push, glide.
These moments in the aftermath of violence are opportunities. We want to avoid info dumps, but we also have to provide some information to explain events. These moments of respite are opportunities for us to dole out information that might be needed to answer questions and yet keep the reader engaged. Doling out…
View original post 645 more words