Most authors who have been in writing groups for any length of time become adept at writing emotions on a surface level. We bandage our wounded egos and work at showing our characters’ inner demons. We spend hours writing and rewriting, forcing words into facial expressions.
Happiness, anger, spite – all the emotions get a description. Eyebrows raise or draw together; foreheads crease and eyes twinkle; shoulders slump and hands tremble. Lips turn up, lips curve down, and eyes spark – and so on and so on.
Using facial expressions as dialogue tags can work when done sparingly and combined with a conversation.
But that solution can easily become a crutch that keeps us from delving deeper into our characters.
Also, it’s aggravating when it becomes repetitive.
And this brings me to the core of this post. In the early drafts of my most recent work in progress, I struggled…
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