For scriptwriters, the closeup is an essential aspect of pacing. It focuses on one character and shows us details about them and their role that they (the characters) might not be aware of. This importance transfers over to how we show scenes in our written narratives. To get the most out of our words, we who write stories must frame our scenes the way scriptwriters do theirs.
We vary the narrative distance, which is our best tool to show humanity in our characters. The wide view shows the protagonist and their companions as they move through their environment.
Then we narrow the focus, perhaps take it down to a conversation between two people. One person drops out of the conversation, and we are left with the closeup view of our protagonist.
At our closest to them, we are in their heads. We hear their mental ruminations in real-time. By…
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